Interpretations Seminars

Interpretations:

Interpretations seminars provide an experience that survey courses lack – sustained, deep engagement with one particular work or author, and the interpretive universe that grows around it. Courses focus on one or several books or works of art, music or film, their historical context, on the interpretive questions they raise, on histories of their reception and transformation. 

The goal is to give students the experience of coming to know works very deeply, to grapple with the many ways of understanding a work and with the multiplicity of meanings that can arise from interpretation.

  • This seminar engages in the interpretation of a single great book, Moby-Dick by Herman Melville. Some attention is given to its historical and literary context, with readings in Emerson, Hawthorne, Webster, and Douglass, Shakespeare and Montaigne, and Melville’s other writings.

    Spring 2023
    TTh 1pm-2:15pm
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  • An undergraduate seminar on the life and work of one the greatest poets of all time, and founder of modernity, Charles Baudelaire (1821-1867). Readings include œuvre de jeunesse, his collection of poems in verse, Les fleurs du mal, his collection of poems in prose, Le spleen de Paris, and others.

    Spring 2023
    M 1:30pm-3:20pm
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  • The seminar looks closely at the most influential poem of the 20th century, T.S. Eliot’s “The Waste Land,” as a radical modernist experiment and as carrying on a kaleidoscopic dialogue with world literature, including the Buddha’s Fire Sermon, the Upanishads, the Holy Grail myth, and others.

    Spring 2023
    TTh 2:30-3:45pm
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  • In this Interpretations seminar on Plato, we read the Alcibiades I, Laches, Protagoras, Symposium, Phaedrus, and Statesman–rich and complex dialogues that are rarely taught at the undergraduate level. 

    Spring 2022
    MW 9am-10:15am
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  • This seminar offers a multidisciplinary exploration of one of the most daring and beautiful architectural achievements of medieval Europe, the Sainte-Chapelle in Paris (constructed 1242-48) with three specialists from different departments.

    Spring 2022
    T 1:30pm-3:20pm
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  • HUMS 346. A scrupulous reading of Nietzsche’s “great” book, Thus Spoke Zarathustra. We ask what it means to philosophize in and as literature, and how this reckless experiment transforms both.

    Spring 2021
    M 3:30-6:30
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  • A close reading of the Essays by Michel de Montaigne.  An important theme to be examined will be politics. Some brief selections from contemporary writers who have tried to bring Montaigne into conversation with our present moment.  

    Spring 2019
    MW 1:00-2:15
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  • Exploration of the Parthenon in history, including its religious, political, and cultural functions, as well as the history of encountering and interpreting the Parthenon across all media (archeology, architecture, art, film, literature, photography) from antiquity to hypermodernity.  

    Spring 2018
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  • A close examination of Mann’s most ambitious novel which seeks to elucidate the German mind. Broad exploration of the context of Doctor Faustus through readings in history, literature, literary history, music history and music theory, history of religion and theology. 

    Spring 2018
    W 1.30-3.20
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  • Close reading of the eighteenth-century Chinese novel The Dream of the Red Chamber in translation, with some attention to secondary and theoretical materials. The novel is used to examine humanistic questions, including what it means to read across cultures.

    Spring 2016
    MW 11.35-12.50
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  • In this seminar we will close-read a wide range of Emily Dickinson’s poems, seeking to understand tensions that run throughout her work, between feeling and intellect, chaos and control, power and passivity, things hidden and revealed, ecstasy and despair, life and death. 

    Fall 2022
    TBD
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  • HUMS 319. A study of the poetry of John Ashbery (1927-2017) through examining the films, music, and art that provoked his imagination and structured and inhabited his poems. Critiques of the interdisciplinarity of Ashbery’s poetics.

    Fall 2020
    Th 1:30p-3:20p
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  • HUMS 206: We read the Arabian Nights, discuss its dominant themes, and explore the ways its themes and tales have been adapted and appropriated by later authors. HU

    Fall 2019
    MW 9:00-10:15am
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  • HUMS 415: An exploration of Chartres Cathedral as a meeting point of various artistic, technological, ritual, literary, intellectual, and social trends in the High Middle Ages.  We study how the cathedral fit into and changed the world around it, HU

    Fall 2019
    MW 1:00-2:15pm
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  • A study of Shakespeare’s Tempest in relation to its ancient and contemporary sources and its extensive influence on literature, the arts, and cultural theory from the seventeenth century to the present.  Examples from Europe, The Americas, Africa, and Asia.

    Fall 2016
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