Core Seminars

This year’s seminars:

Every Humanities major must complete two core seminars - an Interpretations seminar that engages deeply with one particular work or author and a Modernities seminar that probes the question: what is modernity? 

The most recently-offered seminars are listed below. 

2023-2024

  • Hobbes theorized the unlimited sovereign authority of the modern state. At the same time, Hobbes never wavered in identifying individual liberty as the ultimate source of sovereign authority. By deriving absolute sovereignty from individual liberty through the mechanism of the covenant, Hobbes inaugurated the tradition of liberalism in political thought. 

    Spring 2024
    M 3:30p-5:20p
  • How can we live well in periods of instability, when the founding ideas of our civilization come under threat? What does it mean to be ethical in a situation you cannot control? Can bewilderment be a virtue? What role might poetry play in living a good life?

    Spring 2024
    M 1:30p-3:20p
  • This course explores the Western conception of the human place in the natural world as it has shifted across four centuries. It features, alongside corollary readings, close study of three classic texts: Galileo’s Dialogue Concerning the Two Chief World Systems (1632), Giambattista Vico’s New Science (1744), and Darwin’s Origin of Species (1859).

    Spring 2024
    M 3:30p-5:20p
  • A systematic, chapter-by-chapter study of Heidegger’s Being and Time, arguably the most important work of philosophy of the twentieth century. All the major themes of the book are addressed in detail, with a particular emphasis on care, time, death, and the meaning of being.

    Spring 2024
    MW 11:35a-12:50p
  • Fear is a dominant political, cultural, social, and economic force today. However, its importance is often overlooked, especially in film and media studies. While recent work has looked at our positive affective relationships with media, including fandom and cinephilia, the fear of media has been largely ignored. Yet, media are deeply accomplice of social anxieties.

    Spring 2024
    TTh 9:00a-10:15a
  • An intensive study of George Eliot’s  Middlemarch (1871-72)—a work she called a “home epic” and Virginia Woolf  declared “one of the few English novels for grown-up people.”   Our close reading of Middlemarch itself is framed by a brief selection from George Eliot’s essays and short fiction, as well as by a more extended study of some critical responses, both Victorian and modern.

    Fall 2024
    M 1:30pm-3:20pm
  • A careful reading of Karl Marx’s classic critique of capitalism, Capital volume 1, a work of philosophy, political economy, and critical social theory that has had a significant global readership for over 150 years. Selected readings also from Capital volumes 2 and 3.

    Fall 2024
    MW 11:35am-12:25pm
  • An extended reading of James Joyce’s Ulysses (1922) as modernist and postcolonial epic. Beginning with considerations of the relationship of modern epic and novel, the class will study Joyce’s re-working of Homeric epic in modern Irish, “World Literature,” Western and postcolonial literary contexts. 

    Fall 2024
    T 1:30pm-3:20pm
  • For a long time, early film theory and criticism have been overlooked and underestimated. However, their recent rediscovery has highlighted their crucial role in framing film as a “modern” invention. While discussing what then was a recent invention, early film theory and criticism tackled some of the main characteristic of modern life: speed, excitation, contingency, openness, subjectivity, circulation, etc. 

    Fall 2024
    MW 9am-10:15am
  • Adaptations of literary texts are the bread and butter of visual narrative media like TV and film. Adaptations of certain authors and texts have given rise to entire sub-genres and cottage industries. We consider what adaptations of literary texts might help us understand better about the texts themselves, and about the needs and expectations of the audiences…

    Fall 2024
    MW 2:30pm-3:45pm
  • Before his tragic death at the age of 32, and with a comparatively small total output, Hart Crane produced some of the most astonishing and influential poems of the 20th century. This seminar will focus on close-reading Hart Crane’s complete poetic oeuvre, with sustained attention to his volume of poems White Buildings and his short epic The Bridge.

    Fall 2024
    W 1:30pm-3:20pm