HUMS 403, Interpretations - Shakespeare’s Tempest
A study of Shakespeare’s Tempest in relation to its ancient and contemporary sources and its extensive influence on literature (poems, drama, fiction, essays), the arts (film, opera, visual arts), and cultural theory from the seventeenth century to the present. Examples from Europe, The Americas, Africa, and Asia.
Professor Emily Greenwood
Emily Greenwood studied Classics at Cambridge University, where she gained her BA, MPhil, and PhD degrees. After finishing her PhD she was a research fellow at St Catharine’s College, Cambridge (2000–2002), before joining the department of Classics at the University of St Andrews where she was lecturer in Greek from 2002–2008. She joined the Classics department at Yale in July 2009. She has a secondary appointment in the Department of African-American Studies.
Her research interests include ancient Greek historiography, Greek prose literature of the fifth and fourth centuries BCE, twentieth century classical receptions (especially uses of Classics in Africa, Britain, the Caribbean, and Greece), Classics and Postcolonialism, and the theory and practice of translating the ‘classics’ of Greek and Roman literature. She is more than happy to talk to students who are interested in working in any of these areas.
Professor Lawrence Manley
Lawrence Manley’s fields of interest include the poetry, prose, and drama of sixteenth- and seventeenth-century Britain, with emphasis on literature and society, theater history and performance studies, intellectual history, and the classical foundations of the English literary and critical traditions. He is the author of Literature and Culture in Early Modern London (1995) and Convention, 1500-1750 (1980), and the editor of London in the Age of Shakespeare: An Anthology (1986) and The Cambridge Companion to London in English Literature (2011). He has contributed to The Cambridge History of Literary Criticism, The Cambridge History of Early Modern English Literature, the Blackwell Companion to Renaissance Drama, and The Stanford Global Shakespeare Encyclopedia. His book with Sally-Beth MacLean, Lord Strange’s Men and Their Plays (2014), was awarded the Phylliis Goodhart Gordan Prize by the Renaissance Society of America. Current subjects of research include Erasmus and More on war and peace, the manuscript of A tradegie called Oedipus, the great hall screen at Lathom, Lancashire, and Shakespeare’s love duets.